The blog Of Science Fiction discovers that Justina Robson's Keeping It Real
Meanwhile, over at SciFi Crowsnest, Tomas L. Martin weighs in on Joel Shepherd's last Cassandra Kresnov novel, Killswitch
The blog Of Science Fiction discovers that Justina Robson's Keeping It Real
Meanwhile, over at SciFi Crowsnest, Tomas L. Martin weighs in on Joel Shepherd's last Cassandra Kresnov novel, Killswitch
Neth Space posts their review of Joe Abercrombie's The Blade Itself,
Michael Moorcock will be hopping around the globe in celebration of the debut The Metatemporal Detective. First up, he's doing a signing at Shakespeare & Company, in Paris, France, on November 5th. Then he'll be at BookPeople in Austin, Texas, at 3pm Saturday on December 8th, where he joins cover illustrator John Picacio.
Author, editor and blogger Jeff Vandermeer offers a round-robin interview of four new faces in fantasy on the Amazon Editor's Blog, Omnivoracious. In Heroic Fantasy Part I, he talks with our own Joe Abercrombie, author of The Blade Itself,
Pat's Fantasy Hotlist says that Joel Shepherd's third and finale (for now) Cassandra Kresnov novel, Killswitch,
Meanwhile, Fantasy & Sci-Fi Lovin' Book Reviews weighs in on Joe Abercrombie's debut fantasy, The Blade Itself.
This morning Sean Williams' kindly shared the cover of Reconstitué with me, the French-language edition of his novel, The Resurrected Man
determine if the elimination of a copy is assimilable to a murder, Jonah is found in the uncomfortable position to have to protest its innocence whereas its own copy is perhaps guilty. In a future where the border between the human one and the machine are done increasingly fuzzy, the reconstituted man explores the future of terrorism, of the world conspiracy and maintenance of law and order. Perfect mixture of thriller and science fiction Cyberpunk, this novel depicts the complexity of the relations between Jonah and Marylin, and their tracking of the killer before it does not strike again. It unties also the tensions which have bound Jonah to his/her father - a man, died for three years, but which could still hold the key of the mystery..."

Monsters and Critics reviews the second Quantum Gravity book from Justina Robson. Reviewer Sandy Amazeen says of Selling Out:
Speaking of Brasyl, they write, "Sure, I've read parallel universe plotlines before, but Brasyl takes it to a whole new level of weirdness... Enjoy their stories for what they are, don't rush to the end for the action. The enjoyment of the journey makes the unexpected and bizarre kicker even sweeter."
engaging characters. In addition, as an avid fan of world building, I loved the world that Edelman created. This book carved a brand new universe using alternate history, detailed imagination and Edelman's computer programming background...I wholeheartedly recommend Infoquake for anybody and everybody. I know I am just one of many who eagerly await Edelman's follow up novel to the fantastic Infoquake."
Adrienne Martini, of the Washington Post, reviews four SF novels in her article "Spaceships, Gunfights and believable characters, too." She reviews works by Emma Bull, Joe Haldeman, Jon Courtenay Grimwood, and our own Alexis Glynn Latner. Speaking of Hurricane Moon,
Joe Abercrombie's The Blade Itself,
Chairman of the Space Books Committee and one of NASA’s first ten women flight controllers Marianne Dyson has reviewed Alexis Glynn Latner's Hurricane Moon
Joe Abercrombie is interviewed today on Fantasy Book Critic. They talk about The Blade Itself,
revealed in passing, as the background for the action, never be the focus of anything."
Don D'ammassa's Critical Mass reviews Joel Shepherd's forthcoming Killswitch: A Cassandra Kresnov Novel,
Shaun Farrell's always magnificent podcast, Adventures in Scifi Publishing, has just uploaded his extensive interview with fantasy master Michael Moorcock, discussing his imminent work, The Metatemporal Detective.
Listening to it now myself. My favorite quote: "Tom Paine, addressing the Americans before the Revolution said - I think it's in Common Sense - that it was unseemly that such a large nation should be ruled by such a small one. And I think that's true of the science fiction and fantasy world, that it's such a very large nation indeed being to some extent ruled by a very small nation of critics. Because in terms of sales, you know, there are a lot of literary writers I know who would give a lot to have the kind of sales that many science fiction and fantasy writers have."
Rob H. Bedford's latest review on SFFWorld is up. This time, he proclaims his "frustration" with Joe Abercrombie's The Blade Itself.
I was thrilled this morning to open up my newsletter from San Francisco independent genre bookstore, Borderlands Books, one of my favorite bookstores on the planet, to discover that the recently released paperback of Ian McDonald's River of Gods tied for fourth place with Michael Swanwick's new collection, The Dog Said Bow-Wow, on their Borderlands Best-Selling Titles for September, 2007 in the trade paperback category. Here's the full list for the category:
Update: Somehow I missed this in my first read of the Borderlands newsletter: The Blade Itself - The First Law, vol. 1 by Joe Abercrombie (Pyr, Trade Paperback, $15.00) - Ben and several customers are raving about this grim heroic fantasy debut. Ben says "A fantasy novel that combines a famous barbarian who is sick of 'the lifestyle,' an up-and-coming nobleman who is so selfish you just want to slap him, a state-sanctioned torturer who is trying to see every angle in a twisted political labyrinth, and a curmudgeonly ancient wizard whom no one belives. Throw them all together, have them embark on a tale only hinted at in this fist novel, and you have the beginning of a truly unusual and wonderfully captivating series. Buy this book -- and this is from someone who doesn't read fantasy!"
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Meanwhile, Michael Swanwick reprints an essay he originally ran in the NYRSF called "A Nettlesome Term That Has Outlived its Welcome." The essay is about the way the term "fix-up", originally created to mean a novel assembled out of previously published material and which covers some of the greatest works in the field (as in Ray Bradbury's Martian Chronicles, for example) is now perhaps a derogatory term that does more harm than good. Along the way, he discusses Jack Dann's marvelous The Man Who Melted,