The Geomancer

Showing posts with label Andrew Mayer. Show all posts
Showing posts with label Andrew Mayer. Show all posts

11/14/12

Resetting Superheroes in a Steampunk World

Over at the Agony Column, Rick Kleffel reviews Andrew P. Mayer's entire trilogy, The Society of Steam, recently completed with the release of book three, Power Under Pressure. Rick says:

"What Mayer has managed in a quite tightly-written trilogy is to reset the superhero story in a steampunk world. These are both genres that feed on fun, that require adventure and reward the reader with a light-hearted look at the darkest of times. Mayer's prose has the feel of the time it is set in, but not so much as to be annoying... and his plotting and pacing keep things lively but not frantic. ....Mayer hits all the right notes; a touch of horror, some high-adventure, heroes and villains who deserve the elaborate contraptions that carry them across a Rube-Goldberg machine landscape, all at a pace that suggests a handcart on the way to hell."

And Andrew himself was recently a guest of the SF in SF reading series, where he read from the novel. Those who haven't yet experienced his mashup of steampunk and superheros can get a taste here or download the Agony Column Podcast on iTunes.

9/4/12

Dragon*Con 2012

Lisa and Meghan erect the booth scaffolding.
This past Labor Day weekend, August 30th to September 3rd, was Dragon*Con, an event that has become the highlight of my convention year, and a show that's becoming like a giant family reunion where even the weird uncles are really cool. For the third year in a row, Pyr has exhibited at the show. We were back in the same spot in the Marriott Marquis Ballroom, in booth 709/711 (yes, we have a huge double booth).

The booth complete.
I got up early on Thursday and made the drive to Atlanta, where I was joined by two of parent-company Prometheus Books' employees, Meghan Quinn and Lisa Kay Michalski. Both Meghan and Lisa were embarking on -- not only their first Dragon*Con appearance -- but their first genre convention of any kind! We met in the morning and headed over to the Exhibit Hall to assemble the Pyr booth. We broke for lunch at the Metro Cafe Diner,  where we were joined by authors Sam Sykes, Clay Griffith, and Susan Griffith. Then all six of us went back and assembled the booth. That night saw us eating at (my personal favorite local restaurant, because it's a brewery) Max Lager's, and then out to the Marriott Marquis' High Velocity bar for a very late night. John Picacio, who was in town for just Thursday night to Saturday morning, joined us for the evening. We ended the night around 3am, plenty of time to rest up and still make my 11:30 am panel.
Meghan encounters Flying Spaghetti Monster

The panel in question was "Gimme a Break--Breaking in and Breaking Out." Like all Dragon*Con panels, it was well attended. The room had 120 chairs and there were at least another 20 folks standing along the back wall. More I couldn't see to count accurately were sitting in the aisles. Afterwards, I raced to the Exhibit Hall for the first day of sales.

Improvised Name Signage
2:30 pm was the Pyr Rising panel. I was up on stage with Philippa Ballantine, Andrew P. Mayer, Sam Sykes, K.D. McEntire, E.C. Myers, and (arriving directly from the airport without even checking into his hotel first) Jon Sprunk. The room had a live feed to the World Science Fiction Convention in Chicago, where we were able to see and interact with James Enge and Brenda Cooper. Thanks to the tech crew that made that link happen. It was wonderful to be able to speak to the World Con audience too and to get to see and talk with James and Brenda.

Nom nom nom.
Then it was back in the Exhibit Hall working the booth until 7pm. Followed by another dinner at Max Lager's and another night, this one out until 3:30 am, at High Velocity.  Somewhere in there was a heated and enjoyable discussion of why The Dark Knight Rises sucks (my position) or was brilliant (the opposing side) with comics artist and creator, Ted Naifeh. We found more common ground with discussions of the animated Batman incarnations, but the whole discussion was fun. It was also good to see Hugo-nominated Dan Dos Santos briefly that evening.

Todd Lockwood and Lisa Kay Michalski
Saturday I didn't have any panels, so it was a marathon all-day selling session. We had printed about a thousand Pyr Sampler books as freebies (Update: we printed 2,186!!!). They were GONE GONE GONE by noon. So too was John Picacio, who was in for the morning, then took off to (!) fly to World Con for the Hugo Awards, but at any time we had four or more authors in the booth with us. A special shout out to KD McEntire's husband Jake, who came to the rescue with a portable hotspot when ours went out! Jake saved our bacon. He also proved to be quite a salesman, which really was above and beyond the call. Meanwhile, the crowds at Dragon*Con have to be seen to be believed, and it's incredibly rewarding to see how many people love our books and look for us each year now. The fan interaction the con affords our staff and our authors is just incredible.

For dinner, I went with Sam Sykes, Lisa Kay Michalski, Meghan Quinn, and famous illustrator Todd Lockwood for pizza at Azio Downtown, then back to High Velocity again, where we met up with several of Lockwood's friends, for an evening that we cut short at 2:45 am. Or maybe it was 3am.
Saturday Night.

And what of our con newbies Lisa and Meghan? They were old pros by the second day, and both were fell in immediately with the vibe of the show. I'm so glad they took to it so well, had such fun working hard, and "got" what Dragon*Con was all about for us. You two are incredible! I hope you can come back next year! 

Steam Ensemble
Meanwhile, Sunday was another incredible day in the booth, followed by an 8:30 pm panel called "Editors and Agents Tell All," which was scheduled around the time the Hugo Ceremony in Chicago was starting up. (Apologies for all those nervous glances at my Twitter feed). The panel was just as packed as the previous and a lot of fun to do.

Then it was back to High Velocity, where I had no cell access, no bandwidth, no ability to IM or check Twitter. It was nerve racking, but finally my agent was able to get word to me that "You didn't win. Picacio did." And I was thrilled for my friend John Picacio, one of the top artists of our field, but now officially a Hugo-award winning illustrator!

Our Last Night
Sunday night was also the last time the gang was out together. It was a wonderful evening, and a somewhat emotional one as well. Dragon*Con is a marvelous show for us because we have a base of operations in the Pyr booth. We get to interact directly with our readers, by the hundreds, every day and see the effect of what we do has on people. It's a great show because of its attendees, who are all ages and ethnicities and genders, and who are all passionate about science fiction and fantasy in all its permutations. It's such a high energy show, where you work hard and play hard for five straight days. No one ever believes me until they come out--even if they believe me they don't believe me--and they come away enthralled. But what really makes this show is the Pyr family. Jon (and now wife Jenny), Sam, Andrew, Clay, Susan, Eugene, Katie, David, Cooper, Will, Lisa Meghan, Pip, Gabrielle--you are all wonderful.

A Dragon's Eye from Hunter and Fox
Monday Lisa, Meghan, Eugene, Clay, Susan, copyeditor Gabrielle Harbowy, and I worked the booth. We managed to sell out Eugene (EC Myer's) last copy of Fair Coinwithin a minute of his departure time for the airport. We also sold out books by Sam Sykes, Andrew P. Mayer, Justina Robson, Jon Sprunk, Dave Freer, KD McEntire, and others. What a show. Lisa and Meghan stayed right up until the Exhibit Hall closed, then took off to the airport.

When it ended, Lisa, Meghan, Clay, Susan, Gabrielle, and friends David Alaister Hayden, Cooper Chun, and Will Cockrell and I disassembled the booth and packaged all remaining stock in under an hour - a record! - and went out (sadly sans Gabrielle, who had other plans) to the Landmark Diner, which, since we ate there after take-down last year two, is I suppose a new tradition. And then it was time to say goodbye.

Stuffed Animal Gown
Deep thanks to Regina Kirby, Nancy Knight, Susan Phillips for great programming, and to all the con runners! It was an amazing con. I loved seeing everyone - old friends and new. Cons are made up of people and these people made the con! Emotional things were said, a lot of them late Sunday night, that are simply not for this blog, but I love these people and always will. Thank you all for making this weekend, this magical Brigadoon that calls us all together once a year, one of the best convention experiences ever.

8/24/12

Dragon*Con: Pyr Author Signing Schedule

Dragon*Con is next weekend, August 31 to September 3rd, in Atlanta, Georgia. We will be exhibiting in booth 709 in the Marriott Marquis Ballroom. On hand will be our authors Philippa Ballantine, Clay & Susan Griffith, Andrew P. Mayer, K.D. McEntire, E.C. Myers, Jon Sprunk, and Sam Sykes. Additionally, artist John Picacio will be around on Friday.

They'll be authors in and around the booth throughout the convention, but here is our signing schedule so you can be sure to get your books autographed at these times. Additionally, be sure to check out the "Pyr Rising" from 2:30 to 3:30 in the Hyatt Regency V room. We'll be showing lots of debut artwork and talking about our recent and forthcoming books.

Friday, August 31

2:30 – 3:30       Pyr Rising panel w/Lou Anders, Philippa Ballantine, K.D. McEntire, Sam Sykes, Jon Sprunk, and Andrew Mayer.  Location: Regency V – Hyatt
(LIZ- to fit master schedule signs you can cut all the participant names and just have time, panel name and location.)

4:00 pm – 4:45 pm        Artist JOHN PICACIO

4:00 – 5:00 pm              CLAY and SUSAN GRIFFITH

5:00 – 6:00 pm             K.D. McENTIRE

5:00 – 6:00 pm              SAM SYKES


Saturday, September 1

11:00 am - Noon           K.D. McENTIRE

11:00 am - Noon           JON SPRUNK

Noon – 1:00 pm            SAM SYKES
           
Noon – 1:00 pm            PHILIPPA BALLANTINE

1:00 – 2:00 pm             ANDREW MAYER

2:00 – 3:00 pm              CLAY and SUSAN GRIFFITH
                       
3:00 – 4:00 pm              JON SPRUNK
           
4:00 – 5:00 pm              E.C. MYERS

5:00 – 6:00 pm  ANDREW MAYER

Sunday, September 2

11:00 am - Noon           SAM SYKES

11:00 am - Noon           JON SPRUNK

Noon – 1:00 pm            ANDREW MAYER

1:00 – 2:00 pm              K.D. McENTIRE
           
1:00 – 2:00 pm              E.C. MYERS

2:00 – 3:00 pm              CLAY and SUSAN GRIFFITH

4:00 – 5:00 pm             PHILIPPA BALLANTINE

Update: On Saturday from 1:00 – 3:00 pm, E.C. Myers is signing at the SFWA table and so will not be appearing in the Pyr booth at that time.

8/29/11

Dragon*Con Author Signing Schedule


Dragon*Con attendees! Pyr will be in the Marriott's Marquis Ballroom exhibit hall during Dragon*Con (Atlanta, GA) Friday 9/2 - Monday 9/5.

Visit booth 709/711, where you'll find lots of books available for sale at a great discount (cash or credit card only) and many Pyr authors on hand to sign your purchases too. Once again, we will have a limited quantity sampler book for con attendees, this time featuring not just new and forthcoming titles, but excerpts from some of our hottest books of the past few years.

To aid in your planning, here is a schedule of our in-booth author signings (subject to last minute change, of course.) If there's someone you want to see but you can't make the time that's here, stop by the booth just to check and inquire - many of these authors will make impromptu visits at other times, especially on Sunday and Monday.

Friday, September 2

2:00 – 3:00 pm ANDREW MAYER (The Falling Machine)

3:00 – 4:00 pm ARI MARMELL (The Goblin Corps)

3:30 – 4:30 pm CLAY and SUSAN GRIFFITH (The Rift Walker; The Greyfriar)

4:00 – 5:00 pm MIKE RESNICK (The Buntline Special; others)

4:00 – 5:00 pm SAM SYKES (Black Halo; Tome of the Undergates)

Saturday, September 3

11:00 – Noon JAMES ENGE (The Wolf Age; others)

Noon – 1 pm JON SPRUNK (Shadow’s Lure; Shadow’s Son)

1:00 – 2:00 pm ERIN HOFFMAN (Sword of Fire and Sea)

1:30 – 2:30 pm ANDREW MAYER (The Falling Machine)

2:00 – 3:00 pm JAMES ENGE (The Wolf Age; others)

3:00 – 4:00 pm ARI MARMELL (The Goblin Corps)

4:00 – 5:00 pm MIKE RESNICK (The Buntline Special; others)

5:00 – 6:00 pm CLAY and SUSAN GRIFFITH (The Rift Walker; The Greyfriar)

6:00 – 7:00 pm SAM SYKES (Black Halo; Tome of the Undergates)

Sunday, September 4

Noon – 1 pm JON SPRUNK (Shadow’s Lure; Shadow’s Son)

1:00 – 2:00 ERIN HOFFMAN (Sword of Fire and Sea)

Booth hours are Friday 1:00 – 7:00 pm; Saturday and Sunday 10:00 am – 7:00 pm; and Monday 10:00 am – 5:00 pm. We hope to see you there!

6/15/11

June Author Round Table

Jon Sprunk
Kristine Kathryn Rusch
Andrew P. Mayer

Erin Hoffman


Welcome to another author round table! This month, we're joined by Kristine Kathryn Rusch (City of Ruins), Andrew Mayer (The Falling Machine), Erin Hoffman (Sword of Fire and Sea), and Jon Sprunk (Shadow's Lure).

-How much pre-planning do you do before you begin a book? Do you write to an outline, or more organically? In writing a series, how much of the series is planned before you begin?

Kristine Kathryn Rusch: Sadly (and I mean that for me), I write organically.  Stories come to me out of order. The end first, the middle last, part of the next book.  It's irritating--rather like putting a puzzle together--but it seems to work for me.

I know the general shape of a book and of a series, but I never know what happens.  For example, I wrote the opening two sections of Diving into the Wreck, then the opening section of City of Ruins, then a section about a character not in either book.  It took me nearly a year to figure out what order the story actually belonged in.  Eventually I did.

And lest critics pounce on this, saying some derogatory remark about how these books compare to other books of mine, let me say this: I write all of my books this way.  And I wish I didn't.

Andrew Mayer:  I do a ton of planning. I tried to write a number of novels when I was younger and never managed to finish them. It wasn’t until I started seriously outlining that I managed to completely move beyond short stories and a novella or two.

Building a strong outline allows me to figure out the story beats, and make sure that I have the requisite amount of character conflict, drama, action, and all that other good stuff. It also allows me to figure out major plotting problems without having to write thousands of words to uncover them.

And for me it’s just more motivating to be writing a story I already want to read.

Jon Sprunk: I outline extensively from start to finish, and it can take me as long as two months just to do that. But I only do that one book at a time. For the Shadow Saga, I had an idea of what books two and three would be about, but not the details.

Erin Hoffman: Embarrassing amounts of pre-planning. I start with characters and concepts, laying out the things that initially inspire the story -- usually fragments of world imagery or dialogue. From there I dig for theme, and that takes quite a while. There's a lot of research, and a development of ideas that probably has a lot more in common with philosophy than storytelling. Once I've nailed down the theme, I start drawing the story and plot from it. I get a bit more distance from the usually very personal thematic parts and hammer relentlessly until I have the spine of a plot I'm excited to write. Then there's a detailed synopsis, basically a short paragraph for every chapter of the book. This often reveals flaws or structural imbalances that I'll work on more and correct. Throughout this I pepper in paragraphs, key moments of the story, that get shoved in a file with that chapter's short paragraph description. In terms of series, I'll know where I want to go and usually have an idea of how long I want to take to get there, but it can and does change along the way. The outline is a series of signposts, but the space in between is a lot more organic.


-Conversely, how much editing do you do? What's your process to get from first draft to finished manuscript?

KKR: Once I figure out the story order, I put the book in order, add the bridge material, trim or fix details that are out of place, and that's all I do. My husband, Dean Wesley Smith, is my first reader, and he lets me know if something's missing.  (For example, in a recent romance novel, I got so caught up in the plot that I forgot the romance.  I fixed that after he read it.)

AM: Once I’m into the writing phase I like to be able to put most of my attention to voice and flow, and let the story form around the outline. 

I try to push through to a complete draft from start to finish running at about 1,500 to 2,000 words a day. I’ll jump around a bit if I have to, and sometimes I come up with something so inspiring that I need to go back and rework the outline to accommodate it. That can be painful, but never terribly so.

Once the first draft is complete I go back and take an edit pass on the whole thing from end to end. That can be a bear, as I’ll often find loose threads, or half-formed ideas that need completing. Stephen King says that he likes to cut from his books as he rewrites, but I’m the opposite. My drafts tend to grow in size. I probably add around 10% on the second draft.

And once that’s done I’ll read it through again. There’s usually less work this time, but I need to go in and see if broken scenes have really been “fixed”, or if I’ve managed to somehow make things worse. I’ll usually bring in readers at this stage. I don’t envy them much, because there are an infinite number of typos in this draft. I haven’t made any attempts to fix much beyond the tone and flow of the language, so there can be a lot of nonsense in there.

Then, the third draft is all about polish. To be honest there should probably be a second round of polish as well, but I don’t always have the time. That’s when I end up making the copy editor’s life miserable.

JS: I do a lot of editing. It's much more stressful than the actual writing. I put a lot of pressure on myself to get it right. I wish I could say I was 100% successful, but I'm lucky to have an excellent support network, including my beta readers, my agent, and Lou Anders at Pyr.

EH: Once I actually start writing, I try to write straight through. I make notes after every chapter, and throughout the process (I email ideas to myself constantly; my gmail account has 93 label categories), but this doesn't typically change the outline. They're moments to refine, minor things to change, realizations about particular motivations or world details. If anything major comes up, I come to a full stop and have to fix it before I can continue. This can be deceptive; there are times I thought I was just tired or stressed, but invariably if I'm having trouble going forward it's because my subconscious is telling me there's something wrong with the story. Once I figure it out and adjust the outline, it all starts to flow again.


-What does a typical writing day look like for you?

KKR: I get up, herd the cats, do my internet work, exercise, have a writing session, have lunch, more writing, have dinner, more writing, then read, then one hour of TV/movie, and sleep. The next day, I start all over again.

AM: I think my book days are more aspirational than typical.

Actual writing days are relatively easy, since they’re easily measured in pure numbers of words. Either I can park myself in a chair and write 2000 words or I can’t. I do find that meditating before I start usually means the work that will get done, but I can be surprisingly poor at that practice even though I know it’s going to end up a net win.

Editing days are a chapter or so a day. I can usually cover 3,000 words of rewrites. But if  I end up trying to pick apart a structural knot that can really slow things down, especially if it ends up being a point that crosses chapters. Also, sometimes scenes need to be completely re-done, so that can throw me back into writing mode for days.

And I’m a truly grass is greener kind of guy: When I’m writing I wish I was editing, and when I’m editing I wish I was writing.

JS: I write in the evenings, Monday through Friday. I have a bit more time on weekends. My goal is a thousand words per day. I try not to take days off.
 
EH: Oh man, I wish there were typical writing days. Someday there will be. I carve out time wherever I can, and so "typical" for me is about flexibility and, often, mobility. My "rituals" are pretty self-contained -- playlists (musicals, movie soundtracks, and lately a Pandora channel built from Victorian composers), software (PlainText -> DropBox -> Scrivener 2.0), tea, where available (just about any kind of full leaf, with extra points for good earl greys or pu-erhs). Other than that, I write everywhere -- on airplanes, in hotels, on the couch...  


-What are some television shows that you enjoy?

KKR: I love Stargate Universe and will miss it.  I love Doctor Who.  My "candy" show this year is  Hawaii Five-O.  I've been watching The Closer on DVD. But my favorite show has got to be The Big Bang Theory.  I know those people.  Some of them might live in my house. :-)

AM: Is anyone not watching Game of Thrones? It’s an amazing translation, and it’s really fun to watch fans of the book engaging with the necessities and shortcuts of television.

I also loved, loved, loved, the Spartacus series that’s on Starz. It’s a rare genre series that can pull out of a bad start the way that show did, but if you watch the first series it goes from good to amazing. The prequels are even better: a good prequel should re-contextualize what you think you “know” about the events that come after it, and Spartacus does that in spades.

Also, something that Spartacus does better than Game of Thrones is make sure that there are emotional stakes in all the sex scenes. It’s a trick worth paying attention to.

Breaking Bad is another amazing show. I tell people that it’s the best “origin of a supervillain” series ever made, and in a lot of ways it’s a non-genre genre story. It does some really breathtakingly brave stuff in terms of creating genuine peril for the “hero” of the show. 

JS: My wife and I are enjoying The Game of Thrones on HBO. We also watch Hell's Kitchen and Kitchen Nightmares. Otherwise, I just watch the news. Oh, and Southpark.

EH: I'm more of a movie type than a TV type, but it does seem like TV has gotten better and better over the last few years. I was blown away by Planet Earth, and I have an unhealthy weakness for documentaries about ancient Egypt. I've enjoyed what I've seen of Deadwood, and I think Babylon 5 is a masterpiece of serial SF. I didn't see Weeds until it was five seasons in, and then watched all five seasons in a couple of weekends with my husband. 

Thanks to all our authors for stopping by!

6/3/11

Defend Yourself, Weakling!

The Falling Machine (The Society of Steam, Book One)Sam Sykes interviews attacks Andrew P. Mayer, author of The Falling Machine, in his blog post entitled Defend Yourself, Weakling!

I'm struck by this statement Andrew made:
Science Fiction is about personifying humanity’s relationship with technology, Fantasy is about personifying humanity’s relationship with its symbols.

And this one Sam made:
You are neither an attractive female that might one day say I am kind of cute and thus validate my life, nor do you possess the upper crust high society bourgeois upbringing of these females, as indicated by your filthy fingernails.  Please explain how we are to take you seriously and why we should pay attention to you.
Struck in different ways, you understand. Maybe struck physically is more apt for one.

9/8/10

DragonCon 2010: The Mardi Gras of Middle Earth

This past weekend was Dragon*Con, that annual event where tens of thousands of attendees, many of them in costume, descend on downtown Atlanta for four days of genre mania each Labor Day weekend. Last year, I attended Dragon*Con as a guest and was blown away by what a book-friendly, age-diverse audience it was, as well as by the staggering number of authors, editors, and publishers also in attendance. Based on that impression, I returned to Dragon*Con this year as an Exhibitor and roped in my Director of Publicity, Jill Maxick, my slush reader Rene Sears, and NINE of our authors.

Sans Instructions!
I arrived late Wednesday night, in order to be on sight to set up our booth bright and early Thursday morning. We had a corner table in room 1601 of the Marriott Marquis' Imperial Ballroom, which was a tremendous location (and put us across the aisle from the very cool guys working the Utilikilt booth. I admit I was tempted, but didn't succumb. Maybe next year).  The Pyr booth itself hasn't been used since the 2005 San Diego Comic Con. It's a very cool design, a wireframe scaffolding that accordians up from a tightly packed container-friendly size, held in place by segmented bars which are themselves lined with magnetic strips to hold the velcro-friendly walls of the booth. The whole thing fits in an oval shaped black box that doubles as a display stand. Of course, the packaging comes without any instructions of any kind, so assembling it on my lonesome Thursday morning, with only vague memories of having done this with help in 2005, had a fair share of "what the hell am I supposed to do with this?" moments. I admit, though, that it was sort of a fun puzzle-challenge, and the whole set up (including book display) only took from about 10am to 4:20 pm. (Only!)

The Pyr booth, before opening.
Thursday night itself was a rewarding meal (serving as both my lunch and dinner) at Max Lager's with Sam Sykes, Clay and Susan Griffith, John Picacio, and Jill Maxick. This was my first time meeting Sam, Clay and Susan, and I was delighted to discover they are all wonderful people (I already knew this about John and Jill). Then Friday morning, Jill and I returned to the Exhibitor Hall where she proceeded to build the artfully arranged stack of Pyr Sampler Books (we had 1046 in all) and we made final preparations for the imminent crowd.

The Electric Boogaloo.
Straight up: It was a grueling con, from running a booth for four days (1pm to 7pm on Friday, 10am to 7pm on Sat and Sunday, 10am to 5pm on Monday) while also participating in programming, and still trying to get face time in with my people (six of whom I was meeting for the first time in the flesh). It was a slog to drive down late Wednesday night and then work the show until Monday night. Probably one of the hardest shows I've worked, and I did it with just three hours sleep most nights. And it was hard on my long-suffering family to be without me for so long. So, was it worth it?

Middle Earth Mardi Gras
The convention was incredible!!! It has to be seen to be believed. The number of attendees I heard floating around was 65,000 and I could believe that or more. It comprises five hotels, with attendees staying in another five or so official overflow hotels, and quite a few other hotels in the neighborhood or thereabouts. I know they had 32,000 preregistered attendees as of last year's con, and that the registration lines for on-site registration were over THREE HOURS LONG. The only real way to describe Dragon*Con is like Spring Break in a Fantasy World or some sort of Middle Earth Mardi Gras. The hotels are jammed packed, particularly in the evening, where the lobbies of all the hotels are just unnavigable seas of bodies, many of them wearing little more than furs and duct tape.

Yep yep yep...uh huh uh huh!
But unlike the San Diego Comic Con, which is much more of an Expo for Big Media Movies and Games, and whose value (at least for me) lies in the business meetings you can take with your opposite numbers in sister industries in the bars and restaurants across the street, Dragon*Con has much more of the feel of a fan-run convention that has simply grown to ginormous proportions, which it is. What I discovered last year and had confirmed this year is that there is a HUGE & RECEPTIVE BOOK AUDIENCE at this convention, and one that spans a broad age spectrum. (I shared an elevator with a young girl dressed as Alice who was panicking that she was late, late - for a very important date? irony lost on her - for the fantasy LITERATURE panel. Not the manga panel or the Warcraft panel but the literature panel! She was not atypical in this interest for her age range at the show.)

You will buy my book
As aforementioned, we had made special for the con a Pyr Sampler Book, as well as a limited edition lapel pin celebrating our 5th anniversary. We gave out all 1046 of the Pyr Sampler Books. In fact, they had disappeared by Saturday morning, in no small part due to the efforts of Sam Sykes, who fostered them on people in a manner which was described by James Enge as Sykes "free from any sense of mercy, compelled people to take the free stuff. In compensation, he let them buy a book every once in a while." We have also gone through all but about 250 of our 2000 Pyr 5th Anniversary Lapel Pins by Monday afternoon. We introduced the Pyr brand to thousands of people. And we sold a hell of a lot of books.
Monday Morning - not even over!

One of the most amazing things to me personally was how effective the Pyr Sampler Book was. Most of them disappeared on Friday, and Saturday morning, literally scores of people came up to us (that day and all the other days too actually) saying they'd read the Sampler Book and they wanted to pick up this book or that book. I was astounded. We assumed people would take these things home to peruse them at their leisure. But they read them Friday night? "Weren't you out there drinking with the 65,000 other people?" I asked one young guy, who didn't seem like the type to pass on this Toklienesque Fort Lauderdale. "Yeah, man," he replied. "I drank till 3:30am, then came back drunk and read your book until 5am. Can I get Tome of the Undergates?

Mars Attacks!
Friday night at 7pm we had a Pyr Books Presents panel, complete with all nine attending authors: Mike Resnick, Jon Sprunk, Sam Sykes, Clay and Susan Griffith, James Enge, Erin Hoffman, Andrew Mayer, and Ari Marmell. Given how many there were of us, they each got 4 minutes thirty seconds to talk about their books while I flashed the cover image on a screen. Even this rigid time constraint took most of the hour, but left about 10 minutes for audience questions. We heard all weekend how great the panel was, and lots of people who came to the booth on Saturday, Sunday and Monday said they came because of this (and the two art panels I did, both of which also featured Dragon*Con special guest John Picacio).

Dinner with the Winner!
In celebration of our fifth birthday (March of this year), we had previously held a "Pyr and Dragons Adventure Contest," for which fans were invited to submit a short essay on the theme Five Reasons Why Science Fiction And Fantasy Is Important To You." First prize was a trip for two to Dragon*Con and dinner with a group of Pyr authors (as well as myself and Jill). Lisa Iriarte won the contest - you can read her essay here. Lisa teaches seventh-grade language arts and has recently written what she hopes will become her first published novel, Assassin's Nightmare. She and her husband Joe joined myself, Jill Maxick, Mike Resnick, his wife Carol, James Enge (and daughter), Jon Sprunk, and Sam Sykes for dinner at Sear in the Marriott. Lisa and Joe were both very nice. Really sweet people, both with aspirations of writing, and Mike Resnick's unending font of amusing anecdotes about the business was spot on for the makings of a special evening.

The Amazing Clay and Susan Griffith.
We sold out of limited number of copies of Mark Hodders' The Strange Affair of Spring Heeled Jack we had with us very early on, as well as all the copies of Jasper Kent's Twelve, and the 100 Free ARCs of The Greyfriar (Vampire Empire Book One) were a hot ticket item on Saturday. I don't think we could have had too many copies of these book on hand for this show, where steampunk and vampires are so very king. And The Society of Steam stickers that Andrew Mayer himself made in promotion of his May 2011 title also proved to be EXTREMELY popular.

"I know this music."
Saturday night, a group of us, which included Tor art director Irene Gallo, stayed up entirely entirely too late. Too late is defined as 2:15am when one has to get up three hours later at 5:15am for the Live Hugo Awards Breakfast. Organized by Stu Segal, the breakfast featured "LOU ANDERS (4 time Hugo Nominated editor), KATE BAKER (podcast director for the twice nominated Clarkesworld), EUGIE FOSTER (Nebula Award Winner), MARY ROBINETTE KOWAL (Campbell Award winner), FARAH MENDLESOHN (Hugo winner, and current nominee), JOHN PICACIO (Winner of the World Fantasy, Chesley and Int'l Horror Guild Awards and 6-time Hugo nominee) and STEPHEN H. SEGAL (Hugo winner, and current nominee)." I'm enormously touched by those few fans who braved the early morning hours to watch all but Kate Baker lose in real time! (Also touched by Robert J Sawyer, who came by later to bring me the Hugo Voting Report, so I could see that I was first in nominations, and second place in the final round!) This was followed by Stu's Stroll with the Stars, a leisurely one hour walk around the neighborhood. Sunday morning's stroll was "Pyr themed", though at least two of our authors overslept, including one who had buggered off from the bar before the rest of us despite not having to get up at 5am. At any rate, Sam, you know who the real man is.

Sprunk, Anders, Sykes.
Having authors in the booth made a huge difference. Sam Sykes had sold out all copies of Tome of the Undergates by Sunday morning. (I say "Sam had sold" not "we had sold" because Sam has a very healthy sense of competition and was determined to insure by any means necessary that he sold out first. See James Enge's aforementioned comment about Sykes and mercy.) Jon Sprunk was right behind him though, despite a much more understated presence. In fact, I sold a lot of Shadow's Son on Monday, after Sprunk had left, to people who told me they were buying the book because they'd talked to Jon over the weekend and "he was just such a nice guy" that they wanted to. James Enge was also a tremendously nice guy. So nice that he spent more time recommending other authors' Pyr books in favor of his own, but we still managed to sell out of his WFC award nominated Blood of Ambrose by end of day Monday.

James Enge wants you.
Clay and Susan Griffith were invaluable. They are former booksellers who volunteered their time and expertise. They brought us food, they worked the booth, they hand sold, and they helped with take down in the evenings. They were incredible. I'd also asked my slush reader/editorial assistant Rene Sears to help out "just for a few hours when I'm on panels." Instead, when we got there and saw what a madhouse it was, we ended up leaning on her heavily. She worked the booth for most of the con, right up until Midday Monday. I cannot stress how amazing she was. Nor how impossible the weekend would have been without her.

Sunday night was another dinner at Max Lager's, where I got to sit down and spend real time with James Enge, and then it was off to the Marriott first and then the Hyatt for more beer. I ended the evening sitting between Mike Resnick on my right and Todd Lockwood on my left. Mike was giving agent advice to my friend David Alastair Hayden and Todd was giving artistic advice to Randall Ian Mackey,  my friend and cousin's husband, who is looking to launch a career in concept illustration. It was really gratifying to just sit there and watch my friends help my friends.

Cooper, a trooper.
I was amazed to see that the crowd, although a little thinner than on the weekend, hadn't thinned out appreciably on Monday, which proved to be a really strong sales day. Jill had flown back the previous evening, so it was myself, Rene Sears, and Clay and Susan Griffith working the booth. And my good friends, the aforementioned David Alastair Hayden and his wife Cooper Chun were there as well. Cooper took our bowl of 5th Anniversary Lapel Pins and stood in the aisle a little ways away from the booth, offering people the pins, explaining to them what the pins were for, and directing them our way. She stood there all afternoon, giving a perfect sales pitch. (David calls her his Pepper Potts. And it's no insult. When the rest of us were staring at the scaffolding of the booth, wondering how to disassemble it, she stepped forward, studied it for two minutes with hands on hips, and then said, "you just press here" and then the whole thing accordioned down to the floor. Cooper makes things work.) We had five people in addition to myself helping with take down and reboxing, and what took me six and a half hours plus to do on my own took well under 2 hours with their help.
Bats and Cats

And that really characterized the convention for me. With a "Little Help From My Friends" could have been the theme song. I had never met Sprunk, Sykes, the Griffiths, Marmell, or Enge before and now they are all fast friends. Clay remarked one evening when I thanked him for all the help in the booth "We felt like we were part of the Marvel Bullpen during the high Silver Age!" We learned a lot, and we could run an even better booth next year based on these learnings, but what I really learned was that we have the greatest authors and friends in the whole wide world. And that, as long as they are there with you, the Mardis Gras of Middle Earth is a great place to be.