Science fiction is here to stay

We launched our imprint ten years ago with an action packed line-up of hard science fiction, and according to some independent retailers, it looks as though science fiction is on the rise again after so many years of fantasy reigning.

So cheers to the intergalactic travel and nanotechnology,  futuristic societies and dopplegangers. Here's a look at some of the coolest looking scifi books we've brought you through the years

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Cowboy Angels: Recalls the Style of Philip K. Dick

The Library Journal has just given a stellar endorsement to Paul McAuley's Cowboy Angels:

"The author of “The Confluence Trilogy” (Child of the River; Ancient of Days; Shrine of Stars) tackles the complex subject of parallel dimensions in a multiuniverse sf thriller that showcases his lucid storytelling and his grasp of hard science. VERDICT Recalling the style and subject matter of the late Philip K. Dick, this title should appeal to McAuley’s growing readership and fans of alternate history."

Cowboy Angels And The Old Weird

Cover Illustration (c) Sparth

Cowboy Angels, now available in the US from Pyr, describes a journey across a variety of alternate Americas; it's structured like a road movie, and like all good road movies it has a soundtrack.  Music features over and again in the narrative - the opening scene has Bob Dylan’s Slow Train Coming playing in the background, there’s more Dylan sprinkled here and there, a fond memory of some old dance tunes, and an anachronistic guest appearance by Gillian Welch and her partner David Rawlings. The music is more than decoration, more than texture.  It stands for something lost. Something that the hero, Adam Stone, is looking for, even though he doesn’t realise quite what he’s found, and how he can redeem it, until the closing pages.

A major influence on Cowboy Angels was Greil Marcus’s book Invisible Republic. It’s an extraordinary meditation on the Matter of America and its lost and shadow selves that widens out from an examination of the music that Dylan and the Band made together in the basement of the Band’s rented house in Woodstock, NY, where Dylan had retreated after his bruising World Tour with the Band in 1966 (the electrified passages of his concert were greeted with howls of derision and anger by folk fans; one famously called out ‘Judas’, to which a rattled Dylan replied, ‘I don't believe you . . . you're a liar,’ before turning to the Band as they gathered up the opening of "Like A Rolling Stone" and telling them to ‘play it fucking loud!’). The Basement Tapes may be the way into the central argument of Invisible Republic, but at the heart of the book is a collection of obscure folk music compiled and curated by Harry Smith and issued in 1952 as the Anthology of American Folk Music, described by Marcus as ‘an elaborate, dubiously legal bootleg, a compendium of recordings originally released on and generally forgotten by such still-active labels . . . [that was] the founding document of the American folk revival.’ Divided into three sections - ‘Ballads’, ‘Social Music’, and ‘Songs’ - it chronicles tales of archetypal murder, revenge and disaster, music of public celebration and appeals to God, and songs of ‘wishes and fears, difficulties and satisfactions that are, you know, as plain as day, but also, in the voices of those who are now singing, the work of demons - demons like your neighbours, your family, your lovers, yourself.’

Inspired by the cadence of a phrase ‘the old free America’ used by the poet Kenneth Rexroth ‘to describe the country he thought lay behind Carl Sandburg’s work’, Marcus named the territory that opens up out of Smith’s Anthology as the ‘old, weird America’. It is the territory where there still lives all that is strange and distinctive of the lost, gone world inhabited by the singers of the songs collected by Smith, and its capital is Smithville: ‘a mystical body of the republic, a kind of public secret: a declaration of what sort of wishes and fears lie behind any public act, a declaration of a weird but clearly recognisable America within the America of the exercise of institutional majoritarian power.’

This is the America that Adam Stone is searching for as he travels through alternate Americas and discovers a weird, secret world of conspiracies working within conspiracies, a world where the dead live again, a woman can be murdered over and again, the past is as mutable as the future and one is hand in hand with the other, and where a lost love can be rescued from death, if you are willing to pay the price.

The old singers, the traditional people whose end Dylan saw in the early 1960s, after they had been rediscovered by fans and brought out to play at the Newport Jazz Festival and other venues, were all gone by the time I first visited America in the early 1980s. But I was able to glimpse traces of their world while I was living in Los Angeles, and during visits in the years immediately after my stint as a legal alien. A world before the spread of strip malls, exurbias; before Clearwater and Fox News; before the corporate homogenisation of what seemed like an unquenchable abundance of deep history, of regional tradition and variety.

I remember on one visit driving in my hire car around the Beltway of Washington DC an hour after deplaning when Simon and Garfunkel’s 'America' came on the radio, and I was so lost in the gap between the yearning of the song, its personal resonances, and the actuality of driving in America that I missed my exit and had to park in a street sunk deep in twilight and the deep quiet dream of suburbia to gather my wits. (The secret name of Cowboy Angels, the original title vetoed by its publishers but surviving as the title of its central section, is Look For America.) I remember driving across the state line into North Carolina where fireworks were everywhere advertised for sale and the radio was suddenly full of bluegrass and hellfire preaching. I remember driving past the wreckage of an Antebellum house, of finding Raleigh-Durham airport full of Civil War reentactors (I have a memory that they carried their rifles onto the plane - it may be false, but those were certainly more innocent times).

Those were the days of Ronald Reagan, who if he did nothing else brought back to America the idea of hopefulness, who in his 1984 acceptance of the Republican Party nomination invoked the image of America as a city on a hill:

I've spoken of the shining city all my political life, but I don't know if I ever quite communicated what I saw when I said it. But in my mind it was a tall proud city built on rocks stronger than oceans, wind-swept, God-blessed, and teeming with people of all kinds living in harmony and peace, a city with free ports that hummed with commerce and creativity, and if there had to be city walls, the walls had doors and the doors were open to anyone with the will and the heart to get here. That's how I saw it and see it still.

It's an image that, as Greil Marcus notes, may have been intended as a sign of American triumphalism, but three hundred years before was a warning, a prophecy of self-betrayal invoked by John Winthrop in 1630 to describe to his fellow Puritans what awaited them in the New World, and what would happen if they failed to meet its promise:

For wee must Consider that wee shall be as a Citty vpon a Hill, the eies of all people are vppon vs: soe that if wee shall deale faslely with our god in thos worke wee haue vndertaken and soe cause him to withdrawe his present help from vs, wee shall be made a story and a by-word through the world, wee shall open the mouthes of enemies to speake euill of the ways of god and all professours for Gods sake; we shall shame the face of many of gods worthy servants, and cause theire prayers to be turned into Cursses vopn vs tll wee be consumed out of the good land whether wee are goeing.

That doubled image of alternate Americas - the shining city as testament to glory or as a curse on failure - is at the heart of Cowboy Angels' story; the story of the kind of America Adam Stone’s America has become, and what he does about it.

Cowboy Angels: A Gripping Page Turner!

Publishers Weekly just gave this glowing endorsement to Paul McAuley's forthcoming novel, Cowboy Angels:

In this gripping tale, which calls to mind both the Stargate TV series and any number of spy thrillers, scientists have discovered a way to travel between alternate universes. The United States in the universe that calls itself the Real wants to bring other versions of itself into a Pan-American Alliance, in effect a series of American client states. Adam Stone, a retired agent specializing in covert missions through the gate, is called back to the field when his ex-partner, Tom Waverly, apparently goes rogue and begins killing different versions of Eileen Barrie, a noted mathematician, in a series of alternate universes. While tracking down Waverly, Stone discovers a byzantine plot to subvert governments across the multiverse. McAuley (The Quiet War) provides nonstop action, a believably damaged hero, and a complex set of mysteries that will keep the reader breathlessly turning pages. (Jan.)

SF Site's Best SF and Fantasy Books of 2009: Readers' Choice

Paul McAuley has placed twice in SF Site's Best SF and Fantasy Books of 2009: Readers' Choice Poll, with Gardens of the Sun at #10 and The Quiet War at # 6. Both books are tied with other works (Cory Doctorow's Makers and Adam Roberts' Yellow Blue Tibia respectively).

Congratulations to all the authors selected!

For Your Viewing Pleasure: Gardens of the Sun

Gardens of the Sun© Paul McAuley

Cover Illustration © Sparth
Design by Jacqueline Cooke

The Quiet War is over. The city states of the moons of Jupiter and Saturn have fallen to the Three Powers Alliance of Greater Brazil, the European Union and the Pacific Community. A century of enlightenment, rational utopianism and exploration of new ways of being human has fallen dark. Outers are herded into prison camps and forced to collaborate in the systematic plundering of their great archives of scientific and technical knowledge, while Earth's forces loot their cities, settlements and ships, and plan a final solution to the 'Outer problem'. But Earth's victory is fragile, and riven by vicious internal politics. While seeking out and trying to anatomise the strange gardens abandoned in place by Avernus, the Outers' greatest genius, the gene wizard Sri Hong-Owen is embroiled in the plots and counterplots of the family that employs her. The diplomat Loc Ifrahim soon discovers that profiting from victory isn't as easy as he thought. And in Greater Brazil, the Outers' democratic traditions have infected a population eager to escape the tyranny of the great families who rule them. After a conflict fought to contain the expansionist, posthuman ambitions of the Outers, the future is as uncertain as ever. Only one thing is clear. No one can escape the consequences of war - especially the victors. 

Bookgasm: 5 Best Sci-Fi Books of 2009

Ryun Patterson of Bookgasm has posted his 5 Best Sci-Fi Books of 2009, and, as in past years, we're very pleased with the number of Pyr books in (and in this case around) the list. Paul McAuley's The Quiet Warcomes in at Number 5. Note also the honorable mention for Ian McDonald's Cyberabad Days, that all three "anticipated" 2010 titles are from Pyr (Geosynchron, Desolation Road,& Ghosts of Manhattan), and the "hypothetical 'Books of the Decade'" that would include Brasyland River of Gods. Nice!

For Your Viewing Pleasure: Gardens of the Sun

Gardens of the Sun© Paul McAuley

Cover Illustration © Sparth
Design by Jacqueline Cooke

The Quiet War is over. The city states of the moons of Jupiter and Saturn have fallen to the Three Powers Alliance of Greater Brazil, the European Union and the Pacific Community. A century of enlightenment, rational utopianism and exploration of new ways of being human has fallen dark. Outers are herded into prison camps and forced to collaborate in the systematic plundering of their great archives of scientific and technical knowledge, while Earth's forces loot their cities, settlements and ships, and plan a final solution to the 'Outer problem'. But Earth's victory is fragile, and riven by vicious internal politics. While seeking out and trying to anatomise the strange gardens abandoned in place by Avernus, the Outers' greatest genius, the gene wizard Sri Hong-Owen is embroiled in the plots and counterplots of the family that employs her. The diplomat Loc Ifrahim soon discovers that profiting from victory isn't as easy as he thought. And in Greater Brazil, the Outers' democratic traditions have infected a population eager to escape the tyranny of the great families who rule them. After a conflict fought to contain the expansionist, posthuman ambitions of the Outers, the future is as uncertain as ever. Only one thing is clear. No one can escape the consequences of war - especially the victors. 

io9's Book Club Discussion Starts

io9's firs book club meeting is up, discussing Paul McAuley'sThe Quiet War. Editor Annalee Newitz writes, "One of the things I liked the most about this novel was the way McAuley described the geoengineering projects on all the outer planets and their moons. The descriptions were vivid and felt realistic; and I liked watching Macy at work in the lab. What did you guys think about the science in the book? Too much? Too little? Relevant or irrelevant to the plot?"

Join the discussion here.

io9 Book Club Selects The Quiet War for Inaugural Read

io9 have announced that they are starting a book club, and choosing as their first selection, Paul McAuley's Clarke award nominated The Quiet War,conveniently just out from Pyr this month. They write:

The Quiet War explores the tensions between two factions in the solar system. The Outers, who live on the outer planets and their moons, are post-humanists by default. They're reengineering their bodies and environments to make it possible for human societies to spread far beyond Earth. But the Earth governments of Greater Brazil want to stop the Outers' blasphemy against pure, untrammeled Nature. Of course, the real threat is the Outers' greater productivity, scientific innovation, and success as a society. A series of skirmishes escalate into a war, and that's when things get explosive. We picked this novel because it's packed with great ideas and fascinating science.

The book club will discuss the book online Thursday, October 8th, at which time io9 readers will be asked to provide questions for Paul McAuley for a special Q&A follow-up session. So if you were thinking of checking the novel out, now's a good time!