2013 Chesley Award Nominations

The Association of Science Fiction and Fantasy Artists have announced the nominees for the 2013 Chesley Awards. The Chesley Awards were established in 1985 as ASFA's peer awards to recognize individual works and achievements not otherwise recognized by the Hugo Awards, during a given year and are named in honor of famed astronomical artist Chesley Bonestell. This year’s ceremony will take place at the 71st World Science Fiction convention, LoneStarCon 3, in San Antonio, TX, August 29th - September 2nd.

This year, Pyr is delighted to be represented on the ballot five times!

•  2013 Chesley Award for Best Cover Illustration, Paperback, nominee: Dehong He, Lance of Earth and Sky

 

•  2013 Chesley Award for Best Cover Illustration, Paperback, nominee: Todd Lockwood, The Dusk Watchman

 

• 2013 Chesley Award for Best Cover Illustration, Paperback, nominee: John Picacio, The Creative Fire

 

•  2013 Chesley Award for Best Cover Illustration, Hardback, nominee: Sam Weber, Quantum Coin

 

• 2013 Chesley Award for Best Art Director, nominee: Lou Anders

Here is the full list. Congratulations to all the nominees:

Best Cover Illustration: Paperback Book

• Dehong He: Lance of Earth and Sky by Erin Hoffman, Pyr, April 2012
• Todd Lockwood: The Dusk Watchman by Tom Lloyd, Pyr, August 2012
• John Jude Palencar: The Palencar Project edited by David G. Hartwell, Tor ebook, February 2012
• John Picacio: The Creative Fire by Brenda Cooper, Pyr, November 2012
• Elena Vizerskaya: Flying in the Heart of the Lafayette Escadrille by James Van Pelt, Fairwood Press, November 2012

Best Cover Illustration: Hardback Book

• J.K. Drummond: Deadhouse Gates by Steven Erikson, Subterranean Press, March 2012
• Bob Eggleton: Gods of Opar by Philip José Farmer & Christopher Paul Carey, Subterranean Press, June 2012
• Donato Giancola: Range of Ghosts by Elizabeth Bear, Tor, March 2012
• Todd Lockwood: The Wild Road by Jennifer Roberson, DAW, September 2012
• John Picacio: Hyperion by Dan Simmons, Subterranean Press, April 2012
• Sam Weber: Quantum Coin by E. C. Myers, Pyr, October 2012

Best Cover Illustration: Magazine

• Ken Barthelmey: Clarkesworld #74 November 2012
• Julie Dillon: Clarkesworld #73 October 2012
• Bob Eggleton: Famous Masters of Filmland #262 July/August 2012
• Martin Faragasso: Clarkesworld #71 August 2012
• David Palumbo: Creepy #9 Dark Horse, July 2012
• Craig J. Spearing: Dragon #418 December 2012

Best Interior Illustration

• Brom: Krampus by Brom Harper, Voyager, Oct. 2012
• Sam Burley: “Brother. Prince. Snake.” by Cecil Castellucci, Tor.com, July 2012
• J. K. Drummond: Deadhouse Gates by Steven Erikson, Subterranean Press, Mar. 2012
• Bob Eggleton: Tarzan of the Apes by Edgar Rice Burroughs, MBI/Easton Press, Dec. 2012
• William O'Connor: Dracopedia The Great Dragons: An Artist's Field Guide and Drawing Journal by William O'Connor, Impact, June 2012

Best Monochrome: Unpublished

• Larry Elmore: “By the River,” oil
• Travis Lewis: “Deep,” oil & mixed media
• Joāo Ruas “Sides,” graphite
• Raoul Vitale: “Last of His Kind,” pencil
• Allen Williams: “Fawn,” graphite

Best Color Work: Unpublished

• Julie Bell: “A Passion for the Future,” oil
• Donato Giancola: “Joan of Arc,” oil
• Lucas Graciano: “Guardianship,” oil
• Michael C. Hayes: “Procession,” oil
• Mark Poole: “Waiting on a Memory,” oil
• Soutchay Sougpradith: “Peacock Prophecy,” oil
• Raoul Vitale: “Safe,” oil

Best Three-Dimensional Art

• Dan Chudzinski: “Gus Gets a Jetpack,” mixed
• Michael Defeo: “Octopus,” resin
• David Meng: “Sashimi,” mixed
• Michael Parkes: “Startled Sky Nymph,” half life-size bronze
• James Shoop: “Ramautar,” bronze
• Vincent Villafranca: “Spaceman on the Verge,” bronze
• Cindy Wynn: “Alien Chair,” steel

Best Gaming-Related Illustration

• Lucas Graciano: “Dragon Swarm” (Pathfinder Campaign Setting: Artifacts & Legends) Paizo, October 2012
• D. Alexander Gregory: “Chandra the Firebrand” (2013 Core Set Magic card) WotC, July 2012
• David Palumbo: “Ereshkigal, Death Mistress” (“Legend of the Cryptids”) Applibot Inc., April 2012
• James Ryman: “Princess of the Underworld,” (“Legend of the Cryptids”) Applibot Inc., April 2012
•  Sverlin Velinov: “Thundermaw Hellkite” (2013 Core Set Magic card) Wizards of the Coast, July 2012

Best Product Illustration

• Jim Burns: “The Wanderers” (IlluXCon 5 promotional art) Munchkin Press, November 2012
• Dan Dos Santos: “The Dragon Empress” (Dragon*Con promotional poster) August, 2012
• John Harris: “The Search” (Illuxcon 5 promotional art) Munchkin Press, Nov. 2012
• Iain McCaig: Concept and character design for John Carter, Disney, March 2012
• John Picacio: La Sirena Loteria card 2012

Best Art Director

• Lou Anders for Pyr Books
• Irene Gallo for Tor
• Lauren Panepinto for Orbit Books
• William Schafer for Subterranean Press
• Jon Schindehette for Wizards of the Coast

Award for Lifetime Artistic Achievement

• Brom
• Larry Elmore
• David Hardy
•  John Harris
• Gary Lippincott

The Making of The Creative Fire

Over at the collective artists blog, Muddy Colors, John Picacio talks about his inspiration for creating the cover for Brenda Cooper's The Creative Fire (Book One of Ruby's Song). He shows some classic paintings that inspired his piece, as well as rare glimpses into his pencils and early process pieces.

From John's piece:

"All of us are living in a fragile time for our fundamental rights, at least here in America. It seems our news and social feeds are filled with daily attacks on womens' rights. Revolutionary posters have always been rallying cries, and Lou and I felt like we might have a chance to evoke those here, as well as serve the novel's intentions. When I thought about who Ruby was, I thought of the 1940's image of Rosie the Riveter, as imagined by J. Howard Miller and Norman Rockwell (with genius inspiration from Michelangelo's Sistine Chapel). I thought of the grace of Sandro Botticelli's The Birth of Venus, along with Russian revolution posters, and Howard Chandler Christy's 'Fight or Buy Bonds' painting."

For Your Viewing Pleasure: The Full Jacket of Planesrunner

Planesrunner © Ian McDonald

Cover Illustration and Front Cover Design © John Picacio

Spine and Back Cover Design by Grace M. Conti-Zilsberger

  Coming in December 2011

There is not one you. There are many yous. There is not one world. There are many worlds. Ours is one among billions of parallel earths.

When Everett Singh’s scientist father is kidnapped from the streets of London, he leaves young Everett a mysterious app on his computer. Suddenly, this teenager has become the owner of the most valuable object in the multiverse—the Infundibulum—the map of all the parallel earths, and there are dark forces in the Ten Known Worlds who will stop at nothing to get it. They’ve got power, authority, the might of ten planets—some of them more technologically advanced than our Earth—at their fingertips. He’s got wits, intelligence, a knack for Indian cooking.

To keep the Infundibulum safe, Everett must trick his way through the Heisenberg Gate that his dad helped build and go on the run in a parallel Earth. But to rescue his dad from Charlotte Villiers and the sinister Order, this Planesrunner’s going to need friends. Friends like Captain Anastasia Sixsmyth, her adopted daughter, Sen, and the crew of the airship Everness. 

Can they rescue Everett’s father and get the Infundibulum to safety? The game is afoot!

“Planesrunner is chock-full of awesome. Ian McDonald’s steampunk London blazes on a vast scale with eye-popping towers, gritty streets, and larger-than-life characters who aren’t afraid to fight for each other. The kind of airship-dueling, guns-blazing fantasy that makes me wish I could pop through to the next reality over, join the Airish, and take to the skies”

—Paolo Bacigalupi, Michael J. Printz Award–winning author of Ship Breaker

“Smashing adventure fiction that spans the multiverse without ever losing its cool or its sense of style. Ian McDonald is one of the greats of science fiction and his young adult debut is everything you could hope for: romantic, action-packed, wildly imaginative, and full of heart.”

—Cory Doctorow, author of For the Win

@Dragoncon: Live Hugo Awards Results Breakfast!

via Stu Segal (who is kindly organizing):

Live Hugo Awards Results Breakfast

A number of this years' Hugo Award nominees will be at Dragon*Con.

Join them at the Kafe Köbenhavn to listen to the results come in live! Direct from the Hugo Ceremony in Melbourne, Australia!

Join LOU ANDERS (4 time Hugo Nominated editor), KATE BAKER (podcast director for the twice nominated Clarkesworld), EUGIE FOSTER (Nebula Award Winner), MARY ROBINETTE KOWAL (Campbell Award winner), FARAH MENDLESOHN (Hugo winner, and current nominee), JOHN PICACIO (Winner of the World Fantasy, Chesley and Int'l Horror Guild Awards and 6-time Hugo nominee) and STEPHEN H. SEGAL (Hugo winner, and current nominee) as this years' winners are announced.

The Kafe Köbenhavn has both a buffet and an a la carte menu (you are responsible for your own breakfast).

We'll be there from 6AM (which is when the 8PM ceremony begins in Australia) until 9AM. Pull up a table next to us as we root for Lou, Kate, Farah, John and Steve!

EVERYONE IS INVITED.  RSVP over at our Facebook Page.

ps: 5-time Hugo winner Mike Resnick may join us - depending on the Saturday night situation.

Three Chesley Award Nominations for Pyr

ASFA, the Association of Science Fiction and Fantasy Artists, have announced the 2010 Chesley Award nominees for works eligible from 2009, and I am very honored to report that Pyr has made the ballot three times.


For Best Cover Illustration: Paperback:

David Palumbo for Stalking the Dragon by Mike Resnick (Pyr, August 2009)
John Picacio for World's End by Mark Chadbourn (Pyr, May 2009)

For Best Art Director:

Lou Anders (which is me). We are all very honored by these three nominations.

2010 is the 25th anniversary of the Chesley Awards. The awards will be presented at NASFiC: The 10th Occasional North American Science Fiction Convention, August 5th-8th, 2010, in Raleigh, NC.

Congratulations to all the nominees!

For Your Viewing Pleasure: The Hounds of Avalon

The Hounds of Avalon © Mark Chadbourn

Cover Illustration © John Picacio

Back Cover Design by Nicole Sommer-Lecht

The Hounds of Avalon are coming....

For these are the twilight days, when eternal winter falls and the gods destroy themselves in civil war ... when an invasion force of ghastly power threatens to eradicate all life.
Humanity's last chance lies with two friends, as different as night and day, but bound together by an awesome destiny.
Hunter: a warrior, a rake, an assassin; Hal: a lowly records clerk in a Government office. They must pierce a mystery surrounding the myths of King Arthur to find the dreaming hero who will ride out of the mists of legend to save the world.
But time is running out, for when the Hounds of Avalon appear, all hope is lost....

Coming in July! 

For Your Viewing Pleasure: The Queen of Sinister

The Queen of Sinister © Mark Chadbourn

Cover Illustration © John Picacio

After the Age of Misrule comes the Dark Age! 

A new Dark Age has falled across Britain. With the sudden return of magic, our modern, technological society has crumbled. Cities lie in ruins, communications are limited. Gods and monsters walk the land. In this new time, myth and legend has become realtity; nothing is quite as it seems.

The plague came without warning. Nothing could stop its progress: not medicines, not prayer. The first sign of the disease is black spots at the base of the fingers; an agonizing death quickly follows. But this is no ordinary disease....

Caitlin Shepherd, a lowly GP, is allowed to cross the veil into the mystical Celtic Otherworld in search of a cure; her search takes her on a quest to the end of a land of dreams and nightmares to petition the gods. Caitlin is humanity's last hope, but she carries a terrible burden: a consciousness shattered into five distinct personalities ... and one of them may not be human. The Queen of Sinister is the latest installment in Mark Chadbourn's brilliant new sequence: exciting, evocative, terrifying, and awe inspiring. 

Coming in June!

For Your Viewing Pleasure: The Devil in Green (Final Front Cover)

The Devil in Green © Mark Chadbourn

Cover Illustration © John Picacio

After the Age of Misrule comes the Dark Age!

Humanity has emerged, blinking, from the Age of Misrule into a world substantially changed: cities lie devasted, communications are limited, anarchy rages across the land. Society has been thrown into a new Dark Age where superstition holds sway. 

The Tuatha De Danaan roam the land once more, their terrible powers dwarfing anything mortals have to offer. And in their wake come all the creatures of myth and legend, no longer confined to the shadows. 

Fighting to find their place in this new world, the last remnants of the Christian Church call for a group of heroes: a new Knights Templar to guard the priesthood as they set out on their quest for souls. But as everything begins to fall apart, the Knights begin to realize their only hope is to call on the pagan gods of Celtic myth for help....

Coming in May! 

2009 Chesley Award Nominations

The 2009 Chesley Award Nominations are up.

And I am very pleased to announce that we have no less than 3 book covers up for awards.

In the hardcover category: Dan Dos Santos is up for his cover for Mike Resnick's Stalking the Vampire (wonderful design by Nicole Sommer-Lecht).

And for paperback: Todd Lockwood is up for his cover for Tom Lloyd's The Stormcaller (wonderful design by Grace Conti-Zilsberger ), while John Picacio is also up for his cover for my anthology, Fast Forward 2 (wonderful design by Jaqueline Cooke)

Of lesser interest, and a testament to the wonderful illustrators and in-house designers we have on our covers, I am also on the ballot. More important, I think, is that in a field that may produce 1000 original covers in a year, we have a whoppin' three Pyr books in the list.

Also, it should be pointed out, our pal John Picacio is nominated in FOUR CATEGORIES!!!

Check out his beautiful black&white artwork for interior illustration here (from Del Rey's Elric: The Stealer of Souls):

"The Chesley Awards were established in 1985 as ASFA's peer awards to recognize individual works and achievements during a given year. The Chesleys were initially called the ASFA Awards, but were later renamed to honor famed astronomical artist Chesley Bonestell after his death in 1986. The awards are presented annually at the World Science Fiction Convention (Worldcon)."

Congratulations to all the nominees, and to the authors who are so lucky to have such wonderful art! I have always maintained that the history of SF&F illustration that we enjoy is a unique assetof our genre that should be celebrated, so this is very rewarding to see.

Blood of Ambrose is Joe Mallozzi's Book of the Month for July

Stargate writer/producer, avid reader, and all around great guy Joe Mallozzi has announced his June and July selections for his Book Club reads. For those who don't know, Joe picks one or more titles a month, invites his many fans to read them along with him, and then invites the authors in for a lengthy Q&A. I had the honor to be the first such guest, but he's gone on to have scores of authors on, including our own Justina Robson, David Louis Edelman, and Joe Abercrombie, as well as our friend & frequent cover artist John Picacio. Now, he's chosen James Enge's Blood of Ambrosefor his July selection, and before that, our friend Michael Moorcock's Elric: The Stealer of Souls,(the new Del Rey edition with the fabulous interior artwork by John Picacio). Both great choices and I'm excited to see the interviews with both authors. Meanwhile, Enge himself is over the moon to be in the same post with Moorcock. Who wouldn't be?

For Your Viewing Pleasure: Darkest Hour

Significantly revised from the earlier, catalog version, here is the final cover image:

Darkest Hour© Mark Chadbourn
Illustration © John Picacio

Well?

Fast Forward 2: Catching the Zeitgeist

Paul Raven, of Futurismic, reviews Fast Forward 2,proclaiming it, "an excellent anthology." He reviews each story individually, in order of its Futurismic-relevance, concluding:

 ...if you wanted a good argument for buying anthologies of original short science fiction stories - or even a good defence against those who claim the form is ossified and irrelevant - Fast Forward 2 has your back. The economics of sf magazine publishing may be in question, but the quality of fiction available is riding as high as it has ever been. Sincerely recommended.

However, I'm always thrilled when a reviewer takes the time to consider the cover art, so it's his summation of John Picacio's artwork that I really want to call out here:

 ...a real Zeitgeist catch. Below is strife, carnage, religious angst; thrusting upwards is bionic monkey-man, his chains broken asunder, transcending mundane squabbles for the promise of space and rationalism (bubble chamber tracks?). The religious discord is heightened by the DNA motif, explicitly repeated in the exhaust blast of robomonkey… if you wanted to encapsulate the hope for a triumph (or at least secession) of a rational worldview, I think you’d struggle to make a more arresting and vivid image in the process.

Nice when someone gets it.

Behold the Man: John Picacio

John Picacio guests on Stargate: Atlantis executive producer Joseph Mallozzi's blog. John answers questions from Mallozzi's readers - all his comments are well worth checking out.

Meanwhile, here's a taste: "There’s another shift that happened around the early-90’s, right around the time when Chip Kidd and the Knopf design staff was making a big splash with their Random House covers. I think an unfair stigma was placed on illustration as being an element that 'limited' a book to a genre audience, and publishers therefore relied more and more on stock photography and in-house designers to create covers. In the process, they lost sight of the full potential of original drawings and paintings to sell product in the marketplace. Kidd’s a smart designer, but I often wonder if he perhaps helped spread that stigma in interviews because it glorified designers like him, at the expense of illustration. The fact is, publishing still thinks this way today and I think it’s a self-fulfilling prophecy that stunts the growth of ideas, profit, and outreach. Somewhere along the way there, publishers generated this self-fulfilling prophecy that illustration limited audiences. Perhaps it’s just a nice story that helps them cut costs and save in-house jobs? The fact is, there are dozens of examples of illustrators who didn’t limit audiences, but instead transcended time and context, and expanded audience and profit. The list is long and diverse – try J.C. Leyendecker in the 1910’s, Norman Rockwell in the 1940’s, the aforementioned Powers in the 1950’s, and Dave McKean in the 1990’s, to name only a few off the top of my head. We’re talking about revolutionary cover artists of their time with huge critical and commercial impact that exploded the growth of their publications beyond the existing audience. So if it’s possible in those eras, why say that today’s mainstream audiences aren’t sophisticated enough to embrace progressive, original illustration?"

Lou on the Web

Lots of Lou on the Web!

SFSignal is back with another Mind Meld. This one looks at Hollywood Science Fiction and asks "What other story, or stories, do you believe are deserving of being made into movies and why?" In addition to Yours Truly, responses are from Peggy Kolm, Michael L. Wentz, Michael Blackmore, SciFiChick, and the always interesting John C. Wright. Wright argues that, as a visual medium, "A science fiction movie that does not involve spectacle and special effects is not taking advantage of the primary strength of movies." I concur. I'd pick my list from some newer works though, as nothing dates like the future. Still, as I say in my own piece, with the cost of CGI dropping, there's going to be more of everything, so I think they'll be enough to keep us all happy.

Meanwhile, I'm interviewed about illustrator Stephan Martiniere over on io9.com in "The Future Will Be Bio-Mechanical." Some very nice samples of his work, including the concept art he did for the I, Robot film that happens to be the piece that lead me to put him on our edition of River of Gods.(And speaking about Ian McDonald books, although I'm not in it, there is an interview with Ian talking about both Brasyland the forthcoming The Dervish House up at Post-Weird Thoughts.)

Finally, GalleyCat uses the occasion of Michael Moorcock's Grand Masterhood to quote me and others talking about John Picacio's genius in a piece titled "A Grand Master's Greatest Character Reborn." This is, of course, about Picacio's recent work conceiving and illustrating Moorcock's Elric: The Stealer of Soulsreissue for Del Rey as well as our own The Metatemporal Detective.Michael Whelan's Elric has always been the definitive portrayal of the character for me. Until now. Go see why.

Behold the Son of Man

John Picacio has turned in the final artwork for the forthcoming Pyr reissue of Robert Silverberg's classic Son of Man.He talks about the process of creating the preliminary sketches here, with a rare glimpse at some of his pencils, and the final work done on the finished painting here. (I'm intrigued by his Jimi Hendrix comments.)

Son of Man is one of my favorite SF book of all, so I'm thrilled to be reissuing it under the Pyr banner. And Silverberg and I both knew that John was the perfect illustrator for this job. For those who know the book already, I think you'll agree that Picacio has done an incredible job picking up on both the messianic and the sexual overtones, and has managed to get that 60s/70s psychedelic feel without feeling at all like he was going retro or pastiche. Here's the full wrap-around painting:

Moorcock & Picacio in Texas Signing

Michael Moorcock and John Picacio will be signing copies of the new, illustrated editon of Elric: The Stealer of Souls at Austin Books this Saturday. Copies of The Metatemporal Detective, with its matching Picacio cover illustration, will also be on hand, I'm told.

Details:

Austin Books
5002 North Lamar Boulevard
Austin, TX 78751
Austin Books · info@austinbooks.com · (512) 454-4197

Saturday, February 23rd, 4pm-7pm

On the Road: John Picacio & Michael Moorcock, Part II

John Picacio reports from the road:

Great times in Austin, Texas yesterday...Mike Moorcock and I signed copies of The Metatemporal Detectiveat BookPeople, the largest independent bookstore in Texas. Mike did a short reading from the book, and then answered a wide range of questions from the audience. Amongst the topics discussed -- the origins of Elric; his theories on magic; the status of the developing Elric film project; his relationship with the Weitz brothers; his days with Hawkwind; why people should read Barry Bayley; and much, much more.

After that, we signed lots of copies of The Metatemporal Detectiveand hey, even some copies of my artbook, Cover Story: The Art of John Picacio. Mike's birthday isn't until Dec. 18th, but that didn't stop us from celebrating with a decadent Chocolate Eruption cake, sponsored by The Metatemporal Detective'sever-loving publisher, Pyr. Damn good. Here's what it basically looked like, but much bigger (scroll down the link above for "Chocolate Eruption").

After such a fine dessert, Linda Moorcock suggested we have dinner at Hyde Park Grill....fried egg sandwiches; buttermilk-battered fries; Kobe beef burgers; chicken fried steak; corn & cheese tamales; sirloin burgers smothered in cheddar cheese and scallions....so good. If you attended the signing, thanks for coming out, and if you missed out, maybe we'll try to do it again in '08 when Elric The Stealer of Soulsreleases in February.